7/9/04
| ARTIST | NAME OF SELECTION | NAME OF ALBUM |
| Fog | Pneumonia | S/T |
| The Black Heart Procession & Solbakken | A Taste of You and Me | In the Fishtank 11 |
| Legendary Pink Dots | 06 | The Whispering Wall |
| Royksopp | So Easy | Melody A.M. |
| Laika | Coming Down Glass | Lost in Space |
| DJ Shadow | Fixed Income/What Does Your Soul Like | In Tune and On Time |
| Faraualla | Mascare (Witch Mix) | Rough Guide to Italia Nova |
| Levinhurst | Lost | Perfect Life |
| Freezepop | Bike Thief | Fancy Ultra Fresh |
| GD Luxxe | Silence Is Cruelty | Between Zero and Eternity |
| Goudron | The Dreggs | Raw Voltage |
| Matmos | Despite Its Aesthetic Advances, In Its Policing of Public Space Antonioni's Film Perpetuates Misogyny and Homophobia | Iamaphotographer |
| Fourtet | My Angel Rocks Back and Forth | Rounds |
| Idiom Creak | One Guy One Finger | Room From Another Music |
| Daedelus | Dumbfound | Of Snowdonia |
| Renaldo and the Loaf | Extracting the Re-Re | Elbow Is Taboo |
| Snakefinger | Kill the Great Raven | Chewing Hides the Sound |
| Moisten Before Use | Could Have Talked to God | Still No Reply |
| This Motor Oil | Dead People Watching TV | The Ugly Ones |
| Jello Biafra with Plainfield | Not Enough Sage | S/T |
| Suran Song in Stag | Do You Sing? | Kitty Igloo and the Plastic Stereo |
| Kill Me Tomorrow | Skin's Getting Weird | The Garbageman and the Prostitute |
| Presidents Breakfast | Knot Lockit | The Lab - 20 Year Anniversary CD |
| Mix Master Mike | Hikky-Burr Remix | The New Mixes |
| Felix da Housecat | Romantique | Devin Dazzle and the Neon Fever |
| To Rococo Rot | Miss You | Hotel Morgen |
| Aalacho | Pompeii | Electro |
| Miss Kittin | 3ieme Sexe | I Com |
| Technoheads | I Want to Be a Hippie | - |
| Phenotract | Drifts | Within a Second |
| Teargas and Plateglass | The Seduction of Canned Laughter | S/T |
| Tweaker | Ruby (feat Will Oldham) | 2am Wakeup Call |
| Third Eye Foundation | Half a Tiger | Little Lost Soul |
| Milkbaby | Father's Son | Greetings from the North Mission |
| Ellen Fullman and Konrad Sprenger | Work Song | Ort |